Written by Tyrone BruinsmaHonorable Mentions: -Bra Boys [Dir. Sunny Abberton and Macario De Souza] -Breach [Dir. Billy Ray] -Bridge to Terabithia [Dir. Gábor Csupó] -Charlie Wilson's War [Dir. Mike Nichols] -Dead Silence [Dir. James Wan] -Death Proof [Dir. Quinten Tarantino] -Enchanted [Dir. Kevin Lima] -End of the Line [Dir. Maurice Devereaux] -Frontier(s) [Dir. Xavier Gens] -1408 [Dir. Mikael Håfström] -Funny Games [Dir. Micheal Haneke] -The Girl Next Door [Dir. Gregory M. Wilson] -The Golden Compass [Dir. Chris Weitz] -Gone [Dir. Ringan Ledwidge] -Gone Baby Gone [Dir. Ben Affleck] -The Hitcher [Dir. Dave Meyers] -Hostel: Part 2 [Dir. Eli Roth] -I am Legend [Dir. Francis Lawrence] -Import/Export [Dir. Ulrich Seidl] -Inside [Dir. Alexandre Bustillo, Julien Maury] -Juno [Dir. Jason Reitman] -The Kingdom [Dir. Peter Berg] -The Kite Runner [Dir. Marc Forster] -Lions for Lambs [Dir. Robert Redford] -Murder Party [Dir. Jeremy Saulnier] -National Treasure: Book of Secrets [Dir. Jon Turteltaub] -P2 [Dir. Franck Khalfoun] -Persepolis [Dir. Marjane Satrapi, Vincent Paronnaud] -Planet Terror [Dir. Robert Rodrieguez] -Primeval [Dir. Michael Katleman] -Ratatouille [Dir. Brad Bird] -Saw 4 [Dir. Darren Lynn Bousman] -Sick Nurses [Dir. Piraphan Laoyont and Thodsapol Siriwiwat] -The Simpsons Movie [Dir. David Silverman] -Smokin’ Aces [Dir. Joe Carnahan] -Timber Falls [Dir. Tony Giglio] -Timecrimes [Dir. Nacho Vigalondo] -TMNT [Dir. Kevin Munroe] -30 Days of Night [Dir. David Slade] -3:10 to Yuma [Dir. James Mangold] -28 Weeks Later [Dir. Juan Carlos Fresnadillo] -Vacancy [Dir. Nimrod Antal] -Vexille [Dir. Fumihiko Sori] -The Walker [Dir. Paul Schrader] -Wrong Turn 2: Dead End [Dir. Joe Lynch] -Zoo [Dir. Robinson Devor] 20. Beowulf [Dir. Robert Zemeckis]After the motion capture animation experiment that was The Polar Express, director Robert Zemeckis decided to make an adult animated epic with a screenplay by screenwriter Roger Avery (Pulp Fiction) and comic writer Neil Gaiman (Sandman). While the animation and technology are divisive, it was certainly important helping Hollywood cinema reach the points of Avatar and Superhero blockbuster epics. The film often looks amazing with the lighting and digital cinematography, an iconic and epic score, the performances richly bringing to life a smart updating of the poem and the gory action is sublime. It's not quite the visually perfect epic of Zack Snyder's 300 that year, but it's a relic that still holds up. 19. Atonement [Dir. Joe Wright]While it's taken me a while to appreciate this film, I've finally been able to see what everyone else sees in this film. A film that at first seems to be a boring, typical World War 2 drama ends up being something more playful, darker and beautiful. Featuring an amazing British, amazing cinematography and complex story - Atonement rises above many contemporaries you've forgotten. Kiera Knightley and James McAvoy have amazing scenes and that Dunkirk long take is iconic for a reason. 18. The Mist [Dir. Frank Darabont] Writer and director Frank Darabont went from writing films like A Nightmare on Elm Street 3 and the remake of The Blob to writing and directing The Shawshank Redemption and The Green Mile. So, in 2007 he finally merged his chops of writing horror and Stephen King adaptations with The Mist. The Mist is the right balance between a character study, monster movie and existential horror experience-with the special Black and White version best suiting the film's tone and visuals. It has easily one of the darkest and most depressing endings of any film in the 2000's and deserves to be acknowledged as one of the best Stephen King adaptations. Also, the other Stephen King horror adaptation 1408 that came out the same year gets a recommendation too. 17. 300 [Dir. Zack Snyder] While not Snyder's directorial debut, it can largely be said that 300 defined him as a filmmaker in the cinematic landscape. 300 remains a visually gorgeous, technology impressive action spectacle to this day and was the kind of evolution the genre needed since The Matrix. It's basically an arthouse macho film achieved through visual backlot shooting, slow motion, sex and excessive gore. While there are problematic elements in terms of the narrative, themes and political context: I think Snyder's dedication to showcasing a war and simple story is an effective use of dumb B-Grade shlock bolstered by revolutionary technology. While it's follow-up in 2014 wasn't the same perfect creation as this, both films still hold up as purist action spectacle. 16. Transformers [Dir. Michael Bay]Michael Bay's Transformers series is one of the most underappreciated action franchises as far as I'm concerned. For all their faults, the films had a visual level and action spectacle very few films of the era could achieve so flawlessly. Michael Bay is still one of the best action directors working today and like his fellow ex-Propaganda Films colleague Michael Bay, is one of the few Blockbuster auteurs in Hollywood. The first Transformers film still has a solid script, great action scenes, memorable characters and even a sense of wonder in parts. The score is very good, Peter Cullen's portrayal of Optimus is still iconic and the visual effects still hold up. Love or hate the series, this film probably helped get us more blockbuster films based on children's IP into the action spectacles of our dreams. 15. REC [Dir. Jaume Balagueró and Paco Plaza] REC is easily the scariest film from 2007. This Spanish horror film about news team following a firefighting team sent to an apartment complex is one of those great "wrong place at the wrong time" horror scenarios. The film feels real in terms of camera quality, shooting, acting and even audio (unlike the terrible remake Quarantine a year later). It's scary, intense and the eventual reveal of what's going on is incredibly chilling. While I do like the direct sequel, it's a shame that the rest of the franchise and its American adaptations could never reach the heights of this near perfect film. 14. Sunshine [Dir. Danny Boyle]While not the philosophical masterpiece of 2001: A Space Odyssey or pure horror experience of Alien, Danny Doyle's Sunshine is an amazing sci-fi horror set in space. The plot follows the crew of a second mission to restart our dying sun, and all the things that go wrong. It's a film purely about the faults in humanity and our smallness in the universe. While many have issue with the 3rd act turn, I think it's ultimately a realistic reflection of humanity. This film's visuals, score, effects and ensemble cast are all on point-and especially with Boyle's unique auteur direction, it's a must recommend. 13. The Bourne Ultimatum [Dir. Paul Greengrass]Paul Greengrass perfected the Bourne series and the shaky cam, rapid editing action style with this great spy thriller. Following on from The Bourne Supremacy, Jason Bourne is out to discover more of his past and prevent another cover up. The result is a globetrotting action film with tons of great scenes, an engaging story, great cast members and a really solid execution. Plus, I still think the end reveal of who Jason Bourne actually is stands as one of the better reveals in this genre. You probably haven't seen this in a while so give it a rewatch-stands on its own as a great film. 12. Michael Clayton [Dir. Tony Gilroy]This conspiracy legal thriller is a reminder that you don't always need gunfights and end of the world stakes to be exciting or riveting. Michael Clayton is an excellent pot boiler of a film revolving around very angry, but very human characters in a twisting narrative based on human fallibility. It's a really engaging watch, George Clooney gives his best performance amongst a stacked cast and it's clear why this was so beloved back in 2007. Give it a watch. 11. Hot Fuzz [Dir. Edgar Wright] This is my favorite Edgar Wright film. A great comedy, a great action film, a neo noir conspiracy and slasher all wrapped into one perfectly made package Simon Pegg is an amazing lead here, but all the cast (no matter how small) do great work. The eventual themes and narrative that come to play are a reminder that this isn't a mindless film and it's a ton of fun. 10. The Poughkeepsie Tapes [Dir. John Erick Dowdle]Premiering in 2007, but not wildly available until 2017: The Poughkeepsie is one of the most disturbing found footage horror films ever made. A faux-documentary about a serial killer with a collection of snuff films, the film follows psychologists, journalists and crime reporters about this disturbed human and his string of murders. The film might not be the most accurate or authentic film on killers, but it does end up capturing one of the most terrifying versions on film and the pure visceral execution is haunting. 9. Mongol [Dir. Sergei Bodrov]Genghis Khan remains one of the most iconic historical warriors to date. This epic, but by no means inhuman story about his life deserves to hold up with many of the great historical epics. Seriously, this is in the same league as Braveheart, Lawrence of Arabia, Waterloo, Gladiator and Ben-Hur. The cultural exploration, narrative execution, brilliant action and emotional performances make this the right balance of a macho action film and meditative experience. This is a must watch. 8. Eastern Promises [Dir. David Cronenberg]After gaining critical acclaim with A History of Violence, David Cronenberg made another crime thriller in Eastern Promises. But this one brings over many of the body horror uses from his earlier works. Eastern Promises is a dark crime story that uses the human body to tell a thematic narrative as much as Scanners, Videodrome, Dead Ringers, Naked Lunch and Crash did. Viggo Mortensen shines amongst the amazing cast and it's so close to being Cronenberg's genuine masterpiece in his golden career. 7. The Assassination of Jesse James by the Coward Robert Ford [Dir. Andrew Dominik]After directing Chopper (and before his controversial biopic Blonde from 2022) Andrew Dominik made this epic and very human western about cowboys. While the film can be somewhat slow with the 2.5 Hour runtime, it's a perfect execution for a film that' less about gunfights and more about toxic masculinity, iconography and betrayal. It's a really good film and if you are someone who was upset about Blonde, I still recommend this so you can see Dominik's best work. 6. American Gangster [Dir. Ridley Scott]Ridley Scott makes a historical crime epic that can proudly stand equal to The Godfather, Scarface and the works of Martin Scorsese. While not his flashiest film, it is a well-constructed and written one playing out the largely accurate story of its characters. Ones of Ridley Scott's most underrated skills is as an actor's director in giving them the room to shine and in this film-Denzel Washington gives probably my favorite performance by him. If you've not seen this near masterpiece in a year of them-fix that. 5. Rogue [Dir. Greg McLean]After shocking the world with Wolf Creek, Australian filmmaker Greg McLean made an even better film with Rogue. This remains the best and scariest killer crocodile film to date: built on great filmmaking, an excellent cast, simple but fast paced story, cultural baggage and pure terror. The score is one of the most underappreciated in the horror genre though use of Aboriginal language and terrifying strings. I can't recommend this more, it's just an awesome and wholly terrifying masterwork. 4. No Country for Old Men [Dir. Coen Brothers]No Country for Old Men is one of the most acclaimed films of all time. A neo noir western that showed how good the Coen Brothers were, the story is a dark and suspenseful hunt. Tommy Lee Jones, Josh Brolin and Woody Harrelson give great turns in this, while Havier Bardem iconifies himself as one of the great movie villains. The script is good, the filmmaking is sharp and the few shootouts are great. The ending did upset people, but it's supposed to. The ending reaffirms the film's post-modernist and nihilistic point that the title illustrates. 3. There Will Be Blood [Dir. Paul Thomas Anderson]Paul Thomas Anderson made Hard Eight, Boogie Nights, Magnolia, Punch Drunk Lunch, The Master, Inherent Vice, Phantom Thread and Licorice Pizza, but There Will Be Blood remains his best work. An epic western drama about oil, faith, self-destruction and greed: the film sees Daniel Day Lewis in his work as a human with evil brewing underneath. The filmmaking is spectacular, the performances magnetic, the score by Johnny Greenwood is electric and it's a drama that manages to be exciting. Plus, that ending is practically it's own mini-masterpiece of a film unto itself. 2. Lust, Caution [Dir. Ang Lee]While Crouching Tiger Hidden Dragon, Brokeback Mountain and Life of Pi are the most well-known/loved films by Ang Lee-I believe Lust Caution is his best work. This film was so close to being the best film of 2007, you have no idea. This film is inspired by a real-life Chinese spy and while not 100% accurate, creates a beautifully haunting spy thriller narrative. Exploring the political, social and economic environment during the Seconding Sino-Japanese War and Japan's occupation of China in World War 2: the film is dripping in history, political, drama, humanity and sex. It's a film where shootouts and sex have the same effect in the narrative. Ang Lee masterfully crafted this film, and it needs to be seen by everyone. DO. NOT. SKIP. THIS! 1. Zodiac [Dir. David Fincher]But, David Fincher's amazing effort in portraying the Zodiac killings in their entirety is one of the great cinematic achievements of the 21st century that not enough people talk about. Using his amazing skill as a director, CGI in the correct affects for authenticity and storytelling, casting amazing actors and just building tension-the film is awe inspiring. I have no problem watching the nearly 3-hour director's cut, as despite this being largely matter of fact details, deaths and conversations-it moves like lighting. Its characters and its world feel real, the writing is amazing, the use of music is great and its filmmaking really shines. I can't recommend this more, it's a film that truly made me fall in love with the medium: go watch it right now.
0 Comments
Written by Tyrone BruinsmaDishonorable Mentions: -Bee Movie [Dir. Simon J. Smith and Steve Hickner] -Ben 10: Race Against Time [Dir. Alex Winter] -Blades of Glory [Dir. Will Speck and Josh Gordon] -BloodRayne 2: Deliverance [Dir. Uwe Boll] -Born Killers (Piggy Banks) [Dir. Morgan J. Freeman] -The Brave One [Dir. Neil Jordan] -Buried Alive [Dir. Robert Kurtzman] -Captivity [Dir. Roland Joffé] -Cleaner [Dir. Renny Harlin] -Diary of a Cannibal [Dir. Ulli Lommel] -Elizabeth: The Golden Age [Dir. Shekhar Kapur] -Fantastic Four: Rise of the Silver Surfer [Dir. Tim Story] -Fred Claus [Dir. David Dobkin] -Good Luck Chuck [Dir. Mark Helfrich] -Half Past Dead 2 [Dir. Art Camacho] -The Hills Have Eyes 2 [Dir. Martin Weisz] -Hitman [Dir. Xavier Gens] -I Am Omega [Dir. Griff Furst] -I Now Pronounce You Chuck & Larry [Dir. Dennis Dugan] -In the Name of the King [Dir. Uwe Boll] -The Invasion [Dir. Oliver Hirschbiegel] -The Invisible [Dir. David S. Goyer] -The Kidnapping (Black Friday) [Dir. Arthur Allan Seidelman] -The Last Legion [Dir. Doug Lefler] -Last Rites (Gangs of the Dead) [Dir. Duane Stinnett] -Live Free or Die Hard [Dir. Len Wiseman] -Mister Lonely [Dir. Harmony Korine] -Mother of Tears [Dir. Dario Argento] -Next [Dir. Lee Tamahori] -Norbit [Dir. Brian Robbins] -The Number 23 [Dir. Joel Schumacher] -Perfect Stranger [Dir. James Foley] -Pirates of the Caribbean: At World's End [Dir. Gore Verbinski] -Prey [Dir. Darrell Roodt] -Ratatoing [Dir. Michelle Gabriel] -The Reaping [Dir. Stephen Hopkins] -Redline [Dir. Andy Cheng] -Resident Evil: Extinction [Dir. Russell Mulcahy] -Rise: Blood Hunter [Dir. Sebastian Gutierrez] -Rush Hour 3 [Dir. Brett Ratner] -Shooter [Dir. Antoine Fuqua] (First Scene is Awesome) -Spider-Man 3 [Dir. Sam Raimi] -Southland Tales [Dir. Richard Kelly] -Sublime [Dir. Tony Krantz] -Supercroc [Dir. Scott Harper] -The Sword of Alexander [Dir. Yukihiko Tsutsumi] -Thr3e [Dir. Robby Henson] -Transmorphers [Dir. Leigh Scott] -Underdog [Dir. Frederik Du Chau] -Unearthed [Dir. Matthew Leutwyler] -Universal Soldiers [Dir. Griff Furst] -The Wager [Dir. Judson Pearce Morgan] -Wild Hogs [Dir. Walt Becker] -Wind Chill [Dir. Gregory Jacobs] 10. Alien vs Predator: Requiem [Dir. The Brothers Strause]I still think the original Alien V.S Predator film is a good B-Movie. Its sequel however is a pretty terrible horror, despite the much-promoted gore the original film lacked. The film feels like a bad slasher with the middle-American town, teen characters and no real plot. The PredAlien is cool, the violence and gore is nice...except you can't see it most of the time. One of the most notoriously complaints about the film is how unbearably dark it is to where you can't see anything. I don't blame Texas Chainsaw Massacre cinematography Daniel Pearl-I think the inexperienced directors were the problem. Most of the film is us waiting around for stupid, forgettable characters to be killed off. While I can almost appreciate the film as a bad taste version of both franchises, it's just too poorly made and written to be appreciated. 9. I Know Who Killed Me [Dir. Chris Sivertson]Lindsay Lohan's career and life has gone through a lot of ups and downs. And while some of her personal life I won't judge (except that desperate GTA 5 lawsuit), it cannot be denied that she starred in some bad films. I Know Who Killed Me is so close to being a good film, that it's developed a cult following and some artistic reappraisal. Some have compared this film's plot and visual style to Italian Giallo slashers like Dario Argento's Supsiria...but I'm sorry to say that this film is nowhere near in the same league as that horror masterpiece. I Know Who Killed Me is a bad mid-2000's slasher with strange visual choices, a bonkers plot and a bad mystery. It's not particularly sexy, scary, exciting, well-acted or even well made. It's certainly weird and has a few bright moments that I can understand why it became a cult midnight movie for people. But for me, it's just an admirable attempt at a horror film that didn't end well. 8. Harry Potter and the Order of the Phoenix [Dir. David Yates] This was the first true stumble in the venerable Harry Potter franchise. While the prior entries were solid mystery stories in a fantasy world, this one loses a lot of that clear storytelling and intrigue. The film starts to get lost in the politics of the world, while the audience waits for the point of the film to reveal itself. It's also not as well produced, shot or edited as the prior films-largely due to director David Yates. While mostly a tv director, he's now the director whose claim to fame is directing all the Wizarding World movie from Order of the Phoenix onwards. I have a lot of respect for him, and he clearly attempted to use this guaranteed successful franchise to expand his filmmaking prowess. Unfortunately, his style is very grey and flat, setting the kind of generic look for the rest of the franchise. While the next 3 films would be better than this (and the final one being the best out of David Yates' filmography) this one is still the weakest of the franchise aside from those awful Fantastic Beasts prequels. Umbridge is also one of the most annoying characters in film history. When you make an intentionally annoying character, you have to use them appropriately or you just irritate the audience. Helena Bonham Carter gives a great performance in the series as a baddie...too bad she turned out to be a worse person in real life by denying J.K Rowling was a bigot and thinks it's just "cancel culture" (not a real thing) and it's just disappointing. 7. Ghost Rider [Dir. Mark Steven Johnson]Is Nicolas Cage a great choice to play Ghost Rider? Yes. Is this a good movie? Nope. Aside from Nicolas Cage's performance, this movie is largely a silly and boring film with a few random cool shots that don't flow in terms of action or logic. It's one of those generic mid-2000's superhero films we were still getting despite the likes of Spider-Man 2 and Batman Begins showing how you can evolve the genre. The main issue is that it's a largely forgettable film outside of Nicolas Cage's weird moments. The sequel to this is better made and better looking, but also just a different brand of stupid and boring. I know there's kind of a weird cult following around this film, but I'm sorry to say it doesn't hold up guys. 6. Bratz [Dir. Sean McNamara]...remember when they made a live action feature film adaptation of Bratz? Because you probably don't. Oh, and this wasn't some microbudget affair. This was a $20 Million production by Lionsgate (The studio behind The Hunger Games and John Wick) and Ari Arad; the mega producer behind ALL the Marvel projects from 2000 to 2008 and continues to produce on the Spider-Man franchise. It was directed by Sean McNamara who'd previously done kids films like Galgameth, Casper: A Spirited Beginning, Casper Meets Wendy and 3 Ninjas: High Noon at Mega Mountain; and who'd go on to do odd films like Into the Blue 2: The Reef, Soul Surfer, Robosapien: Rebooted, Aliens Ate My Homework, Cats & Dogs 3, The King's Daughter, On a Wing and a Prayer (with his next film being a Ronald Reagen biopic, which will probably suck). But on its decent budget, barely broke even and only grossed $26 Million total. The movie itself...is kind of a beautiful mess and I almost love it for that. The script, plot and structure are absolutely terrible and the film really only existed as an attempt to prove the brand had staying power...which it did not. The direction is...honestly kind of admirable in that it's a colorful enough film, they do use fun creative angles to the point it feels like a cartoon with exaggerated framing. Is the plot full of contrivances, so cringey it's kind of funny humor (one scene I swear broke the fourth wall) and no real narrative through line? Yes, but the performances almost save this. While crazy man Jon Voight is disposable and some cast members try to be more serious, the lead characters played by Nathalia Ramos, Skyler Shaye, Janel Parrish and Logan Browning do have a lot of energy and chemistry together. But the MVP of the film is the primary antagonist played by Chelsea Kane (best known for shows like Fish Hooks, Jonas and Baby Daddy) who is devouring the scenery as a control freak Queen Bee who hates our protagonists. I can't even be mad at her. Although her character does feel like a more cartoonish version of Ashley Tisdale's character from Highschool Musical which came out a year before...and the pieces fell into place. Bratz is just a more bizarre, but less good version of the popular Disney project that came out a year earlier. In fact, I wouldn't be surprised if the only reason Bratz got made was because their marketing team saw how big that film hit their target audience. Is Bratz the "worst thing ever"? No, it's honestly gotta be a "So Bad It's Good" experience for me...but it is still bad. Seriously though, I kind of recommend watching it if you've NEVER seen this and are curious. Also, this is the best piece of Bratz media - I Know What the Bratz did Last Summer | Robot Chicken | Adult Swim - YouTube (Yes, it's a Robot Chicken parody featuring actresses Kate Mara and Saoirse Ronan. It counts) 5. Hannibal Rising [Dir. Peter Webber]This origin story of Hannibal Lecter feels less like the birth of a legendary fictional monster and more like a messed-up retelling of the Batman origin story. While I can appreciate some of the cast and production values, the overall story, tone and even kills are sadly weak considering the prior film's track record. There's the germ of a good idea SOMEWHERE in here but it isn't on screen and sadly the young Hannibal actor doesn't pull it off. 4. The Number 23 [Dir. Joel Schumacher]Every now and then, Jim Carrey has attempted a more serious film like The Truman Show, Eternal Sunshine of the Spotless Mind, Dark Crimes and The Number 23. But The Number 23 might be his worst serious film, and worst film overall. An annoyingly pretentious film that's either convinced of its cleverness or somehow thinks it's a meta-satire of a late 90s/early 2000s cliche thriller. I want to give praise to the cast, visuals and direction-but the script makes so little sense and is so stupid that it's nigh impossible to enjoy except as an ironic watch. 3. Shrek the Third [Dir. Chris Miller]The first two Shrek movies still hold up as great animated films. But the third entry was a terrible film that made a ton of money. The film feels like an obligation of success, with the story and villain angle feeling as lazy as anything. Only one joke really works, with the humor feeling like something you'd expect from a direct to DVD sequel made by people who weren't even trying. It's easily the most forgettable film in the Shrek franchise and it just a real pain to sit through. 2. Alvin and the Chipmunks [Dir. Tim Hill]The first Alvin and the Chipmunks movie was a globetrotting adventure with a diamond smuggling plot. The two animated films from 1999 and 2000 were the characters meeting Frankenstein and the Wolf Man. This movie is a story about the Chipmunks becoming famous in the cliche "Star is Born" music story you've heard a thousand times. This dull, bland looking, painfully unfunny movie is unwatchable. And this got 3 sequels of diminishing quality. You could've made anything interesting out of this rather strange property with the $60 Million budget you had...and you made this: the laziest children's entertainment swill possible. Will someone please use this property for something good or at least entertaining? 1. Epic Movie [Dir. Jason Friedberg and Aaron Seltzer]Before this terrible duo made Meet the Spartans and Disaster Movie to both be released in the same year, they made this warning of their true horribleness. Combining Charle and the Chocolate Factory, Pirates of the Caribbean, The Chronicles of Narnia, X-Men 3 and anything else that was (or was not) popular around this time into an abomination of cinema. While it features the usual suspects and unknowns, the fact this features actual talent like Kal Penn, Jennifer Coolidge, Crispin Glover and Kevin Hart is absurd. Why would anyone agree to this aside from the paycheck? Is it funny? No. Is it well made? No. Does it have anything of value in its attempts at parody? Don't insult me. It's not worth watching, not worth engaging and is easily the worst film of 2007.
|
Tyrone BruinsmaThis is the Official Blog/Magazine for filmmaker, writer and content producer Tyrone Bruinsma Categories
All
|